The Art Connection 2
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Primavera (Spring) by Italian Renaissance painter Sandro Botticelli made in the late 1470s or early 1480s
Composers often take inspiration from the world around them. It might be a mountain, the ocean—or a beautiful woman.
In those cases, there’s a direct connection, but capturing the spirit of a painting or sculpture is another matter.
There, the composer’s inspiration is the artist’s portrayal of that woman, ocean, or mountain, so the music reflects the composer’s response to the work of art—and in doing that, takes on a life of its own.
In this hour, examples in music by Saint-Saëns, Berlioz, Suppé, Resphigi, and more.
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FEATURED RECORDINGS
Title |
Group/Artist |
Catalog # |
UPC |
Saint-Saens: Orchestral Works [for Danse Macabre] |
Royal Scottish National Orchestra, Neeme Jarvi |
Chandos CHAN 5104 |
5059864510434 |
Respighi - Vetrate di chiesa, Trittico Botticelliano [for“Spring,” from Three Botticelli Pictures] |
Royal Philharmonic Orchestra of Liege, John Neschling |
BIS BIS-2250 |
7318599922508 |
Debussy – The Complete Works [for Nuages] |
National ORTF Orchestra. Jean Martinon |
Warner Classics 0190295736750 |
0190295736750 |
Castelnuovo-Tedesco - 24 Caprichos de Goya [for “To the Count Palatine,” from 24 Caprices of Goya] |
Zoran Dukić |
Naxos 8.572252-53 |
0747313225279 |
Suppé: Die Schöne Galathée [for overture to The Beautiful Galatea] |
Cappella Coloniensis, Bruno Weil |
Capriccio 60134 |
4006408601340 |
Frida (soundtrack) [for “Portrait of Lupe”] |
Unnamed studio orchestra, Stephen Mercurio |
Deutsche Grammophon 289 474 150-2 |
028947415022 |
Schoenberg, Adam: American Symphony, Finding Rothko & Picture Studies [for “Wine,” from Finding Rothko] |
Kansas City Symphony, Michael Stern |
Reference Recordings RR-139 |
030911213923 |
Berlioz. Complete Orchestral Works [foroverture to Benvenuto Cellini] |
London Symphony Orchestra, Colin Davis |
Philips 456 143-2 |
028945614328 |